{"id":2132,"date":"2026-09-12T19:23:35","date_gmt":"2026-09-12T19:23:35","guid":{"rendered":"https:\/\/helicopter.studio\/?page_id=2132"},"modified":"2026-09-12T19:23:36","modified_gmt":"2026-09-12T19:23:36","slug":"de-toestand-1","status":"publish","type":"page","link":"https:\/\/helicopter.studio\/?page_id=2132","title":{"rendered":"De Toestand #1"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1775\" height=\"2560\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Toestand-1-scaled.jpg\" alt=\"\" class=\"wp-image-2133\" style=\"aspect-ratio:0.6932480528188992;width:406px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Toestand-1-scaled.jpg 1775w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Toestand-1-710x1024.jpg 710w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Toestand-1-768x1108.jpg 768w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Toestand-1-1065x1536.jpg 1065w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Toestand-1-1420x2048.jpg 1420w\" sizes=\"auto, (max-width: 1775px) 100vw, 1775px\" \/><\/figure>\n<\/div>\n\n\n<p>Helicopter has left its old coordinates and taken shelter in the centre of Den Haag. The machinery is humming. A new chapter begins. <\/p>\n\n\n\n<p>On Sunday 20 September, we gather for the first De Toestand,\u00a0a recurring disturbance dedicated to experimental psychedelic music in all its forms.\u00a0From the hypnotic to the hallucinatory, the primitive to the unrecognisable. Five acts will enter the dungeon. \u2028Expect rituals, distortion, explorations and sonic ramblings that inspire, amuse\u2028\u00a0and entertain.<\/p>\n\n\n\n<p>As a special bonus Dan Gibson will showcase his home brew skills by offering a selection \u2028of his beers, think smoked porters and lime infused goses.<\/p>\n\n\n\n<p><strong>DE TOESTAND #1<\/strong>&nbsp;\u2028<\/p>\n\n\n\n<p>with\u00a0<strong>Ali Robertson, Steffan de Turck, Ardore, Son de l\u2019\u00c9chec, Gangpad\u00a0\u2028<\/strong>and<strong>\u00a0Bone Choir Assembly.\u2028<\/strong><\/p>\n\n\n\n<p>SUNDAY 20 SEPTEMBER, \u20ac8, doors 14h, first act starts at 15h.\u2028<\/p>\n\n\n\n<p>The door is open. The rest is up to you!<\/p>\n\n\n\n<p><strong>ALI ROBERTSON<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1363\" height=\"1347\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Ali.jpeg\" alt=\"\" class=\"wp-image-2134\" style=\"aspect-ratio:1.0118869013271783;width:364px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Ali.jpeg 1363w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Ali-1024x1012.jpeg 1024w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Ali-768x759.jpeg 768w\" sizes=\"auto, (max-width: 1363px) 100vw, 1363px\" \/><\/figure>\n<\/div>\n\n\n<p>Ali Robertson has been making himself &amp; others blush as the Giant Tank Institute For Low-Brow Avant-Thought\u2019s resident organiser\/improviser for more than two decades. Until comparastively recently he courted public shame in the duo Usurper with Malcy Duff, but now exercises his unfunny bone as one half of Off Brand with Firas Khnaissr and as one third of Black Affrontit with Karen Constance &amp; Dylan Nyoukis, while sporadically pleading for redemption via the altogether more wholesome Sonic Bothy Ensemble.<br><a href=\"https:\/\/linktr.ee\/gianttank\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/linktr.ee\/gianttank<\/a><\/p>\n\n\n\n<p><strong>STEFFAN DE TURCK<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/steffan.jpg\" alt=\"\" class=\"wp-image-2135\" style=\"width:364px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/steffan.jpg 800w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/steffan-300x300.jpg 300w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/steffan-768x768.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>In Overgangstoon, Steffan de Turck transforms the stage&#8217;s &#8220;invisible&#8221; infrastructure into his instrument. Using a minimal setup of a mixer, digital delay, and electromagnetic pickups, he captures the magnetic fields of his own power adapters. What begins as a simple hum\u2014reminiscent of a telephone dial tone\u2014builds through delay and feedback loops into a dense, layered tapestry of sound. Highly reactive to the room and PA, every performance becomes an unpredictable, site-specific experience.<\/p>\n\n\n\n<p><a href=\"https:\/\/steffandeturck.bandcamp.com\">https:\/\/steffandeturck.bandcamp.com<\/a><\/p>\n\n\n\n<p><strong>ARDORE.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/ardore.jpg\" alt=\"\" class=\"wp-image-2136\" style=\"aspect-ratio:0.7500087716220484;width:374px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/ardore.jpg 1200w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/ardore-768x1024.jpg 768w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/ardore-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n<\/div>\n\n\n<p>Sampling and manipulating a flugelhorn Ardore unfolds textural soundscapes oscillating between minimalism and full-spectrum noises. Inspired by Indian Dhrupad singing, generative drone music and harsh noise, Ardore combines these in a slowly evolving sea of sounds, scattered across multichannel audio and refracted in interactive video scenographies. <\/p>\n\n\n\n<p><a href=\"https:\/\/soundcloud.com\/ardorers\">https:\/\/soundcloud.com\/ardorers<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>SON DE L&#8217;\u00c9CHEC<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"870\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/AJ.png\" alt=\"\" class=\"wp-image-2137\" style=\"aspect-ratio:0.9816207340510887;width:396px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/AJ.png 854w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/AJ-768x782.png 768w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/figure>\n<\/div>\n\n\n<p>Son de l\u2019\u00c9chec is the new feedback project of A.J. Schakenbos. Former thrash metal god; classical trainee become experimentalist; now himself.<br>The guitar sounds that he invented during his improvising years with the Julie Mittens a.o. are put to work in an even lower fi setting that\u2019s on the brink of annihilation. Spacious yet crumbling.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>GANGPAD<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"946\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Gangpad2026.jpg\" alt=\"\" class=\"wp-image-2138\" style=\"aspect-ratio:2.1651228352799032;width:396px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Gangpad2026.jpg 2048w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Gangpad2026-1024x473.jpg 1024w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Gangpad2026-768x355.jpg 768w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/Gangpad2026-1536x710.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n<\/div>\n\n\n<p>Gangpad is the off-road vehicle where electronic sound collagist Manuel Padding and electric guitar manipulator Arvind Ganga step away from their regular practices to explore sound from a different perspective. Non-academic electro-acoustics and deliberately struck wind chimes blend effortlessly with Angus MacLise inspired time stretching or a broken faucet that doesn&#8217;t stop dripping. Quiet and mind-bending, played with joy and wonder.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.arvindganga.net\">https:\/\/www.arvindganga.net<\/a><\/p>\n\n\n\n<p><br><strong>BONE CHOIR ASSEMBLY<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"2048\" src=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/dewi.jpg\" alt=\"\" class=\"wp-image-2139\" style=\"aspect-ratio:0.7500099820323418;width:404px;height:auto\" srcset=\"https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/dewi.jpg 1536w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/dewi-768x1024.jpg 768w, https:\/\/helicopter.studio\/wp-content\/uploads\/2026\/09\/dewi-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/figure>\n<\/div>\n\n\n<p>Bone Choir Assembly traverses the border between industrial electronics and ritual sound. Ancient voices emerge through noise, repetitive rhythms and fragments of folklore, weaving a hypnotic atmosphere where forgotten memories meet the pulse of the machine<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Helicopter has left its old coordinates and taken shelter in the centre of Den Haag. The machinery is humming. A new chapter begins. On Sunday 20 September, we gather for the first De Toestand,\u00a0a recurring disturbance dedicated to experimental psychedelic music in all its forms.\u00a0From the hypnotic to the hallucinatory, the primitive to the unrecognisable. [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2132","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/helicopter.studio\/index.php?rest_route=\/wp\/v2\/pages\/2132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helicopter.studio\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/helicopter.studio\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/helicopter.studio\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/helicopter.studio\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2132"}],"version-history":[{"count":1,"href":"https:\/\/helicopter.studio\/index.php?rest_route=\/wp\/v2\/pages\/2132\/revisions"}],"predecessor-version":[{"id":2140,"href":"https:\/\/helicopter.studio\/index.php?rest_route=\/wp\/v2\/pages\/2132\/revisions\/2140"}],"wp:attachment":[{"href":"https:\/\/helicopter.studio\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}